Eye For Film >> Search >> 'Matthew Anderson'
An exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.
A cook with a group of fur trappers strikes up a connection with a Chinese emigre in the Old West.
The stories of exiles from across West Africa who live at the House of Migrants in Gao.
Filmmaker Guido Hendrikx doorsteps the unsuspecting residents of Dutch suburbia.
Just 70 miles north of the Mexican-US border is a land haunted by ghosts. Brooks County, Texas is a barren landscape designed as a deterrent to illegal crossings, but people continue to attempt to cross, and many die trying.
A struggling actress gets a role as the heroine of a Seventies espionage film, but after she is beset by a series of unfortunate events, can she fight against the odds?
A resistance fighter battles to save her younger sisters from arranged marriage.
A truffle hunter who lives alone in the Oregonian wilderness is forced to return to his past in Portland in search of his beloved foraging pig after she is kidnapped
Three parents of American teenagers who committed school shootings speak out.
An intimate and political story of the French working class from the beginning of the 1950s to today.
Documentary based on footage from March 5 - 9, 1953, when the USSR mourned and buried Joseph Stalin.
A dark time Kim Sung Soo on capturing history and getting a shot at an Oscar with 12.12: The Day
Reflections of a cat Gints Zilbalodis on Hayao Miyazaki, fairy tales and Latvia’s Oscar submission, Flow
Man about town Gay Talese on Watching Frank, Frank Sinatra, and his latest book, A Town Without Time
Magnificent creatures Jayro Bustamante on giving the girls of Hogar Seguro a voice in Rita
A unified vision DOC NYC highlights and cinematographer Michael Crommett on Dan Winters: Life Is Once. Forever.
Poetry and loss Géza Röhrig on Terrence Malick, Josh Safdie, and Richard Kroehling’s After: Poetry Destroys Silence
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